Griffith Film School Graduate Productions
We welcome you to view the creative production outcomes from our 2018 Griffith Film School Bachelors, Honours, and Masters students from film, animation, and games design.
Due to distribution restrictions, only authorised users are permitted to view the 2019 productions in full with a password. 2018 productions are now unrestricted.
Film and Screen Media productions
- CTRL+ALT+DEL
- Mikey- A lazy, troubled and closeted university student decides to use the "Dreamweaver"; a device used to undo the potentially harmful ideologies and habits he has gathered throughout his life. Through surreal nightmares and twisted traumatic events that delve into his psyche, the Dreamweaver rewires his personality and inspires a lust for life.
Production credits
- Director: Joshua Radford
- Producer: Sammie Bally
- Writer: Joshua Radford
- 1st AD: Chloe Barram
- Production Manager: Nicole Collett
- Production Designer: Brooke Shepherd
- DOP: Grace Lyons
- Gaffer: Seamus Murphy
- Key Grip: Aiecher Bains
- Editor: Mike Holloway
- Continuity: Laura Valvekens
- Sound Recordist: Amelia Fishpool
- Sound Designer: Tess Kelly
- Composer: Michael Drew
- VFX: Phoebe Ireland
- Gertrude
- Gertrude is a young girl who believes without a doubt that she is destined for greatness. What that greatness is though, she doesn’t quite know...yet. She has lots of talents, but each thing is tarnished by the growing conflict between her parents. An unplanned pregnancy threatens to tear the family apart and to undo Gertrude’s unwavering positivity and belief in herself.
Production credits
- Director: Mieka Thorogood
- Producer: Matthew Keen
- Writer: Mieka Thorogood
- 1st AD: Chloe Barram
- Production Assistant: Elle Pollard
- Production Designer: Sarah Grey
- DOP: Rhys Ellis
- Gaffer: Finn Thorogood
- Editor: Tim Clough
- Continuity: James Wild
- Sound Recordist: Coby Cochrane
- Sound Designer: Amelia Fishpool
- Composer: Michael Drew
- Hollow Laughter
- Over the last ten years, Brian Strain has been performing stand-up comedy for very little recompense. Why does he still bother? Can he even quit?
Production credits
- Director: Erin Fraser-Currie
- Producer: Sean Campion, Erin Fraser-Currie, Emily MacCallum
- Writer: Brian Strain
- DOP: Jarryd O'Keafe
- Editor: Emily MacCallum
- Sound Recordist: Kenny Waterson
- Sound Designer: Aldergrove Studios
- Inquisition
- London. The near future. A city stuck in the midst of a new Dark age. Ex-detective, Evan, is drawn back in by the Catholic church to investigate a string of brazen, religiously-motivated killing. Although, as he is about to discover, there are much larger attacks planned. Evan must risk his own faith, his own life and the power structures around him to prevent further deaths.
Production credits
- Director: Lachlan McGilp
- Producer: Nicole Strachan
- Writer: Lachlan McGilp
- 1st AD: Ami Phi
- Production Manager: Nicole Strachan
- Production Designer: Parinaz Alimadad
- DOP: Khoa Nguyen
- Gaffer: Jia Chen Koh
- Editor: Joseph Allanson
- Continuity: Patrick Mahon
- Sound Recordist: Joshua Radford
- Sound Designer: Jason Smith
- Composer: Riad Cutuk
- Louder Than Words
- Amy Clearwell is eleven-years-old and all she wants is to be the drummer in her school concert band. However, when both her concert band conductor and her father block her from being involved in the band, Amy begins to want something more – for them to realise that just because she’s Deaf, doesn’t mean she isn’t talented.
Production credits
- Director: Rachel Larkin
- Producer: Paige Hilliard
- Writer: Rachel Larkin
- 1st AD: Lauren Hogg
- Production Manager: Louie Hadfield
- Production Designer: Jane Burfitt
- DOP: Isaac Gatto
- Gaffer: Robert Riley
- Key Grip: Jordan Munro
- Editor: Fran Yong
- Continuity: Alexandra Kakoniktis
- Sound Recordist: Damon Sheridan
- Sound Designer: Thomas Lie
- Composer: Kim Cunio
- Motherly
- Tough-girl Betty and good-girl Kylie stumble upon a mirror in the basement. Unknowing of its demonic origin, they discover an age-old secret within. In uncovering the mirror’s haunting past, they mistakenly reawaken a dark entity within Betty’s Mother. It’s fight or flight as the demonic force hunts them down, threatening their existence. Sacrifices WILL be made.
Production credits
- Director: Brittany Salmon
- Producer: Taylah Moore
- Writer: Brittany Salmon
- 1st AD: Michael Upton
- Production Manager: Lauren Hogg
- Production Designer: Jemimah Hockey
- DOP: Jordan Munro
- Gaffer: Sebastian Michael Byrne
- Editor: Jordyn Haney
- Continuity: Louie Hadfield
- Sound Recordist: Nikolas Pregelj
- Sound Designer: Rachel Larkin and Michael Adams
- Composer: Michael Drew
- Makeup Artist and Costume Designer: Jasmeka Rose
- PRIMAL
- At the height of World War II, an Australian Private is thrown into the unknown when he is forced into a horrific trial governed by the German Army. With the infliction of psychological and torturous warfare, this young man must learn the violent reality of survival.
Production credits
- Director: Harrison Hertrick
- Producer: Jordyn Dowling
- Writer: Harrison Hertrick
- 1st AD: Sean McParland and Alessandria Riding
- Production Manager: Jordyn Dowling
- Production Designer: Elliott Ng
- DOP: Jia Chen Koh
- Gaffer: Isaac Gatto
- Editor: Chris Ashton
- Continuity: Jacinta Taylor
- Sound Recordist: Nikolas Pregelj
- Sound Designer: Edwin Falovic
- Composer: Jarvis Miller
- Roommates
- Mason is failing to revise for his law exams due to his roommate, Duke’s expressive intercourse. But according to Duke, when Mason left a hole in his life by deserting him for law textbooks, he had to fill in holes just to pass the time. Their home quickly turns toxic when Mason accidentally jeopardises Duke’s new relationship by asking the wrong girl to quieten down her fake orgasming. Their spiritually inclined landlord intervenes to see if he can salvage the boys once cherished friendship and restore harmony in the household.
Production credits
- Director: Claudia Lamb & Michael Holloway
- Producer: Claudia Lamb & Michael Holloway
- Writer: Claudia Lamb
- 1st AD: Jessica C Smith
- Production Manager: Claudia Lamb & Michael Holloway
- Production Designer: Tim White
- DOP: Shannon Reilly
- Gaffer: Grace Lyons
- Key Grip: Marcus Hormann
- Editor: Patrick Mahon
- Continuity: Jacinta Taylor
- Sound Recordist: Amy Haylock
- Sound Designer: Tess Kelly
- Composer: Michael Drew
- Seeing Red
- An arthouse piece that explores a fantasy of violence, blood and lust. Roselyn reflects on a toxic relationship where she delves into the deepest and darkest of her sexual desires. As she is taken on this experiential, sensual journey, Roselyn becomes fully consumed by her twisted fantasies where she embodies the predator who must devour her prey.
Production credits
- Director: Sarah Jackson
- Producer: Nicolle Collete & Sean Abnett
- Writer: Sarah Jackson
- 1st AD: Lillian Carrara
- Production Designer: Heidi Jones
- DOP: Sophie Cross
- Gaffer: Emily Brown
- Editor: Jordan Jeynes
- Continuity: Layla Hutchins
- Sound Designer: Joseph Morrison
- Composer: Jarvis Miller
- Tales From the Beyond
- During the production of a paranormal investigation series in 1977, Suzy Strange--clairvoyant medium and show hostess--is quickly overwhelmed by a sinister presence in an old children’s home. As Suzy and the crew delve deeper into the house, they place themselves at further risk. Something awaits in the basement, behind an ominous trapdoor and once Suzy realises, it’s too late to escape. With nowhere left to run, Suzy has to make a dangerous offer.
Production credits
- Director: Jake Löfvén
- Producer: Alexandra Kakoniktis
- Writer: Jake Löfvén
- 1st AD: Jessica Smith
- Production Manager: Amelia Fishpool
- Production Designer: Jessica Ross
- DOP: Robert Riley
- Gaffer: Paige Hilliard
- Key Grip: Thomas Bewley
- Editor: Hugo Hood
- Continuity: Bryce Harra-Crockford
- Sound Recordist: Rachel Larkin
- Sound Designer: Joshua Shephard
- Composer: Ethyne Wesley
- Time & Space 101
- Intelligent university students Logan and CJ and their intern Tyler work together on their master creation Project Persephone. This machine has the remarkable ability to change the age of an object. After many failed attempts, the machine finally works and produces results. However after exposing an affair that Logan had in the lab, CJ and himself are pulled into another world. Here they fight to return to their home dimension from the forces that lay beyond space and time.
Production credits
- Director: Erin Campbell
- Interactive Designer: Alexander Ratcliffe
- Producer: Chris Saurdal
- Writer: Alexander Ratcliffe
- 1st AD: Sean Sixsmith
- Production Manager: Chris Saurdal
- Production Designer: Karlee Catalano
- Gaffer: Tyrone Valera
- Key Grip: Lillian Carrara
- Editor: James Kittel
- Continuity: Seth Lebrese
- Sound Recordist: Matthew Conroy-Harris
- Sound Designer: Antony Condoleon
- Composer: Michael Drew
- TVCs
- Jan Powers Farmers Markets TVC: With the Jan Powers Farmer Markets expanding their locations, it has become easier to have access to local, fresh produce. But it’s more than just the idea of fresh, local produce. It’s the connections that shoppers receive when they go to the markets.
- Little Athletics TVC: Every athlete that stands on an Olympic podium once had to be competing on a Saturday morning in under 12’s on their local grass oval. This is the journey Little Athletics allows so many kids to embark on.
Production credits
- Director: Alessandria Riding
- Producer: Rachel Owen
- Writer: Alessandria Riding
- 1st AD: Jessica Smith
- Production Designer: Zahra O'Brien
- DOP: Sebastine Michael Byrne
- Gaffer: Jordan Munro
- Key Grip: Tom Davidson
- Editor: Ken Kimura
- Sound Recordist: Josh Shephard
- Sound Designer: Ella O'Shea
Animation productions
- CAUGHT!
- When a deep bond flourishes between two boys, a hairy secret and a devoted mother unknowingly stands between them.
Production credits
- Pre-Production:
- Corey Morgan
- Producer:
- Ashleigh Gauld
- Director:
- Corey Morgan
- Writer:
- Corey Morgan
- Animators:
- Corey Morgan, Caitlin O’Brien, Iona Murray, Joyce Mekonnen, Matthew Simonds, Xena Achilleos, Leon Warren
- Colourist:
- Ashleigh Stuhmcke, Leon Warren
- Background Artists:
- Olivia Rea, Naomi Hurrey, Corey Morgan
- Post Production:
- Ashleigh Gauld, Claire Brooks
- Music:
- Composed and Performed by Emma Thompson, Produced by Josh Hartridge
- Supervisor:
- Peter Moyes
- Eldritch Kid: Juggernaut
- Based on the Eldritch Kid series by Gestalt Comics, Eldritch Kid: Juggernaut is an action-packed fantasy western adventure. The story follows our protagonists, The Kid and Ten Shoes, on their quest to stop a rampaging demon train that destroys everything in its path.
Production credits
- Xena Achilleos
- Katie Giefer
- Melody Borg
- Raven Stark
- Claire Brooks
- Chris Stefanac
- Stephanie Halford
- Felicity Haworth
- Khiem Le
- Felix Fischmann
- Olivia Rea
- Naomi Hurrey
- Erin Mills
- Hannan McBryde
- Leon Warren
- Ipso Facto
- Witchcraft is ipso facto, on its face and by its nature, an invisible crime. Who may possibly be witness to it? In a dark basement out of sight of the world, a witch cooks a brew. Eyes follow her progress from the shadows, within cages, from inside jars, silent as the grave. Horrors hide in the darkness, but sometimes it’s preferable not to turn on the light. Do not be lulled into complacency, Ipso facto, some things really are as they first appear.
Production credits
- Director and Producer:
- Aleisha Moran, Emily Cameron
- Concept Art:
- Emily Cameron
- Script:
- Emily Cameron, Jack Campbell
- Music/Sound Design:
- Daniel Milad
- Asset Creation:
- Aleisha Moran, Emily Cameron, Leon Warren, Jason Rauwerda, Katie Giefer
- Animation:
- Aleisha Moran, Ellen Clark, Emily Cameron, Jack Campbell, Jasmine-Ashleigh Yule, Leon Warren, Malcolm Mackellar, Manuel Acevedo
- VFX:
- James Heavey
- Rigging/Technical Artists:
- Aleisha Moran, Emily Cameron
- Supervisor:
- Louise Harvey
- Longawn
- A lone man on the remote frontiers of the Australian outback has conceded defeat to the harsh environment and prepares to abandon his home. He makes final gestures to his life and home, beginning his escape toward the horizon. Yet the desert is not as empty as it seems.
Production credits
- Director:
- Helix Phelan-Badgery
- Producer:
- Emily Cameron
- Music:
- Luke Zahnleiter
- Sound:
- Sam Muller
- Concept Development:
- Naomi Hurrey
- Visual Development:
- Zou Kaihan, Liang Ruochen
- Storyboards:
- Zou Kaihan, Naomi Hurrey, Helix Phelan-Badgery
- Fabrication:
- Helix Phelan-Badgery, Maddy Healy, Jeromie Navin
- Stop Motion Animation:
- Helix Phelan-Badgery
- Eye Tracking / Eye Animation:
- Jeromie Navin, Helix Phelan-Badgery
- VFX:
- Jason Rauwerda, Jeromie Navin
- Cleanup/Compositing:
- Alex Futo, May Ringdahl, Jeromie Navin, Helix Phelan-Badger
- Supervisor:
- Peter Moyes, Michael Linhart
- Noises
- With the increasing production of man-made noise since the industrial revolution through the fast development of machinery and its daily use, health problems developed as a result. We have adapted to a certain degree to this increasing noise menace, ignoring its health debilitating effects. This film focuses on the impact of noise through time experienced by the protagonist as he tries to escape it to focus on his work, while the noise seems to be increasing and expanding around him.
Production credits
- Director / Animation:
- Alex Praças
- Composer / Sound Design:
- Maichol Bondanelli
- Old Man at the End of the World
- A cranky elderly man leads a lonely life in the city. He is annoyed at the outside world and refuses to leave his apartment, despite his daughter’s warnings. Meanwhile the world is coming to an end, the city falls into chaos, the Mayor issues an emergency evacuation. The Old Man stubbornly refuses to acknowledge the distressing events occurring outside his apartment, attempting to watch his television programs in peace. Even as the fabric of reality crumbles around him, the Old Man determinedly hangs onto his routine.
Production credits
- Director:
- Maria Zelenskaya
- Producer:
- Emily Cameron
- Sound:
- Daniel Milad
- Voice/Acting:
- Marco Sinigaglia
- Concept Art:
- Stephanie Halford, Erin Mills, Maria Zelenskaya
- 3D Modeling:
- Jason Rauwerda, Aleisha Moran, Leon Warren, Maria Zelenskaya, Maria Ardinceva
- Animation:
- Jack Campbell, Maria Zelenskaya
- Motion Capture Technicians:
- Jack Campbell, Emily Cameron, Maria Zelenskaya, Narrelle Vella
- VFX:
- James Heavey
- Rigging / TD:
- Jason Rauwerda
- Compositing:
- Maria Zelenskaya
- Supervisor:
- Louise Harvey
- Prometheus Makes a Man
- An animated comedy short about the wildly inglorious, ungodly process of making the first humans from nothing but clay. As the myth goes, Prometheus, an adorable Titan, made man as part of his day job while working at the Temple of Zeus. But when his dick of a boss, a literal Eagle, can’t be bothered to help, things take longer than expected. It isn’t until they put their differences aside that they realize only together, and with a lot of love, can they birth humans into the world and get the job done.
Production credits
- Director/Producer:
- Story Morehouse
- Ash Stuhmcke
- Ma-Alexandra Ang
- Jasmine-Ashleigh Yule
- Ashley Henry
- Khiem Le
- Kyle Lovan
- Emma Thompson
- Narissa Amies
- Max Gibson
- Madi Marston
- Felicity Haworth
- Iona Murray
- Jace Waddell
- James Heavey
- Olivia Rea
- Richard Sewell
- Lachlan MacAuslane
- Paul Watson
- Sprout
- Sprout is a short animation about a clumsy gardener, Lily, who is determined to transform her lacklustre garden into something worthy of winning the annual flower competition. While fumbling through her day to day and harming her garden more than improving it, Lily notices that one of her onions has sprouted into a sentient little being. The two form an unlikely friendship and partner up to revitalise the garden and bring it up to par. Will the duo be able to cultivate their ambitions or will their dreams buried?
Production credits
- Director:
- Bernice Choong
- Producer:
- Jason Rauwerda
- Script:
- Bernice Choong
- Storyboards:
- Bernice Choong
- Voice Actor:
- Vikki Lam
- Musician:
- Timothy Clark
- Sound Recorder:
- Ryan Turner
- Concept artist:
- Bernice Choong
- Modellers:
- Ashleigh Gauld, Bernice Choong, Jack Clark, Jason Rauwerda, Jennifer Daniell, Katie Giefer, Leon Warren, Logan Pitcher
- Texture artists:
- Bernice Choong, Jason Rauwerda
- Rigger:
- Jason Rauwerda
- Animators:
- Bernice Choong, Christopher Stefanac, Ellen Clark, Jack Campbell, Jennifer Daniell, Leon Warren, Manuel Acevedo
- Lighting artist:
- Jason Rauwerda
- Sound Recorder and Sound Designer:
- Ryan Turner
- Video editor:
- Christopher Stefanac
- Supervisor:
- Louise Harvey
- The Hunt
- A desperate hunter becomes fixated on a bigger prize, all while an orange cyclops eye of a moon watches from above.
Production credits
- Director/Writer:
- Olivia Rea
- Producer:
- Naomi Hurrey
- Storyboard Artists:
- Corey Morgan, Olivia Rea
- Concept Art and Backgrounds:
- Naomi Hurrey, Olivia Rea
- Rough animation:
- Xena Achilleos, Naomi Hurrey, Corey Morgan, Joyce Mekonnen, Iona Murray, Michelle Nish, Caitlin O’Brien, Olivia Rea, Raven Stark
- Cleanup artists:
- Naomi Hurrey, Joyce Mekonnen, Olivia Rea
- Colourists:
- Xena Achilleos, Naomi Hurrey, Iona Murray, Michelle Nish, Olivia Rea, Quinn Segall, Raven Stark
- VFX:
- James Heavey
- Music:
- Jarvis Miller
- Sound Design/Mixing:
- Ethyne Wesley
- Supervisor:
- Paul Mason
- Waves
- On an island cliff, a lone girl’s innate fear of the surrounding waves hinders her desire of exploring the lands beyond the horizon. She finds appeasement in collecting washed up parchments. When she just can’t seem to catch one particular parchment, she must risk it all.
Production credits
- Director / Producer:
- Joyce Mekonnen
- Story and Concept:
- Joyce Mekonnen
- Voice Acting (Alofa):
- Joyce Mekonnen
- Backgrounds:
- Olivia Rea, Naomi Hurrey, Joyce Mekonnen
- Animation:
- Joyce Mekonnen, Leon Warren, Matthew Simmonds, Chris Stefanac, Khiem Lee, Kyle Lovan, Xena Achilleos, Yo’el HilL, Narissa Amies, Courtney Hooper
- Clean up:
- Joyce Mekonnen, Leon Warren, Matthew Simmonds, Ash Stuhmcke, Michelle Nish
- Colour:
- Pitara Tepaki, Hannah McBryde, Joyce Mekonnen, Felix Fischmann, Ash Stuhmcke, Christopher Stefanac, Leon Warren
- Compositing:
- Joyce Mekonnen
- Effects:
- Joyce Mekonnen, Matthew Simmonds
- Motion Graphics:
- Felix Fischmann
- Sound:
- Ethyne Wesley
Games Design productions
- Lawless
- In a dystopian mega city, Lawful Co. controls the population. Corruption and manipulation are building blocks of this monopoly, controlling populations through consumer products, media, health and finance. A clear divide exists between the wealthy and poor; the rich behaving as gods among men. In this world, exists Scramble… A talented hacker and loner, taking vengeance on his parents’ misfortune and deaths. Saving the lives of millions of people who are under the careful watch of Lawful Co., exposing the corruption in ways they could never cover up. The people will know. The people will rise. The people will overcome.
Production credits
- Project Lead, Game designer, Concept Art, Illustration, 3D modelling
- Margeaux Prince (Blundell)
- Programmer, Sound, Animation
- Taylor Anderson
- 3D Modelling, Environmental Artist
- Archie Speller
- Level Design, Writer, Game Design
- Harrison Milne
- Programmer
- Daniel John McConaghy
- UI design, Animation, Environment Design, 3D modelling, Programmer
- Paris Smith
- Rush
- Rush is a tension based chase platformer, where you play as a mischievous mage recently escaped from their temple tomb. Sending a magical storm in an attempt to reclaim its former prisoner, escape the temple's clutches by clearing levels as fast as possible and collecting energy to unlock new areas.
Production credits
- Creative Director and Lead Designer
- Joshua Andrews
- Lead Programmer, Designer and Level Designer
- Dylan Lee
- Spell Wars
- Immortal magic users battle each other, to prove they are the best. Using a variety of spells and guns they find interesting ways to “kill” each other knowing they will respawn in a moment to get back into the fray.
Production credits
- Level Designer, VFX artist
- Jacob Brett
- Character Design, Texture Artist, Animator, Level Designer, Art Director, 2D art, Lighting
- Johnathan Bugden
- 3D modelling, Level Design
- Trent Coleman
- Gameplay Designer, Programmer, Sound Designer, Project Director, VFX
- Layne Ngatai-Stokes
- Network Programmer
- Isaac Phillips
- Programmer, Gameplay Designer
- John-Anthony Sandroussi
- Additional 2D/UI art
- Rachel Grimmett
- Totec's Curse
- Three exiled knights explore a long-forgotten temple with the cursed sword Totec. Solve puzzles, trigger traps, and slay enemies by throwing Totec in a frisbee like fashion in a co-operative dungeon delving adventure.
Production credits
- Project director, Programmer, Gameplay design
- Matthew O’Brien
- Animation, Environment modelling, 2D art, visual effects
- Ana Walker
- Character modelling, visual effects, lighting
- Toby Campbell
- Level design, additional programming
- Liam Smith
- Music
- Layne Ngatai-Stokes
- Voice actors
- Hemi Rudolph, Heath Lambert, and Chantal de Jonge
- Vol
- Take control of an Infiltrator, an expert thief-for-hire in a near future who stumbles into a different kind of underworld they never knew existed.
Production credits
- Game Design
- Michael Henderson, Janelle Armand
- Writing
- Michael Henderson, Janelle Armand
- Programming
- Michael Henderson
- Artist
- Janelle Armand
- Animation
- Michael Henderson
- Sound
- Michael Henderson, Janelle Armand
- Wardawg
- WarDawg is an advanced military cyborg that reboots into an seemingly empty future, where the plants have taken back the cities. This is a visual 3rd person walk, through a dystopian future city street.
Production credits
- Director, Level Designer, Asset Modeller, Sound Editor, Animator, Rigging
- Michael Hannan
Honours productions
- 'Afraid of the Dark'
- It is April's first night in the cold, dark house her family just moved to. In the middle of the night, she is woken by her dog quietly growling at something unseen outside her window. She can't see or hear what he's growling at... At first.
Production credits
- Alicia Eames
- A New Dress
- A one-minute animation film about a young Baluchi girl who has put on a new outfit. She shows her happiness by dancing through colourful Baluchi patterns, which are presenting her Baluchi needleworks heritage.
Production credits
- Asmae Ghani Fahim
- Introversion on Screen
- Two looping 3D environments. One specifically designed for appealing to introvert characteristics and the other extrovert characteristics. By exploring different cinematic techniques that appeal to these characteristics, content for them can be made with a greater positive impact. These two environments use such techniques such as colour and lighting as an exploration of their effect.
Production credits
- Kate Lord
Paradise
Peggy's Story
- Paradise
- This is a story about two girls who discover a forgotten rainforest hidden from everyone within their city. This offers them an escape from their oppressive society and polluted outside world, but if the secret of this place was exposed there would be those who would be destroy to keep their power.
Production credits
- Sarah Connell
- Peggy's Story
- Peggy’s Story is a serious game that allows the player to explore and learn about depression, anxiety and grief through the main protagonist Peggy Davies. Peggy is a 30-year-old women who has admitted herself into a mental health hospital to seek treatment for her mental illness. The game is a day in the life blog coupled with mini-games that allow you to experience through Peggy the complexity of mental illness. As such this game is intended for adults and deals with complex themes including suicide.
Production credits
- Myfanwy King
Masters productions
- Bombardier Burnsie
- John Burns fondly known as Burnsie was a Bombardier in 102 field battery in the Battle of Coral of the Vietnam War. Although he spent twenty three years in the army it was this particular period that was to have a life long impact on his love, friendships and family. John’s recollections are brought to life with the heart felt and raw honesty in this husband and wife duet of storytelling.
Production credits
- Director/Producer/Writer: Ljudan Michaelis-Thorpe
- DOP: Nina Rath
- Sound Recordist: Alicia Eames
- Editors: Nina Rath, Bobbi-Lea Dionysius, Ljudan Michaelis-Thorpe
- Music Composer: Kyle Lacey Janetzky
- Sound Design: Aldergrove Studios
- Grace Who Waits Alone
- In an oppressive subtropical summer, Grace, a young romantic, waits for her absent lover to return. Caught in the illusion of their shared love, Grace slowly disconnects from the world. As she loses herself to the fantasy, the real world begins to eat into her.
Production credits
- Director: Georgia Temple
- Producer: Jackson Lapsley Scott
- Writer: Georgia Temple
- DOP: Georgina Pickford
- Sound: Robbie Douglas
- Happy Android
- Street performer Paul Cooper has an unlikely ally in his ongoing battle with anxiety and depression – his robot, Tubby.
Production credits
- Director/Producer/Writer: Jaina Kalifa
- Composer: Jacob De Weger
- Editor: Jaina Kalifa
- Story Consultant: Cathy Vallance
- Sound Design: Peter Kurucz
- Motion Design: Robert Gilchrist
- Colourist: Dan Baebler
- Additional Editing: Lachlan James Morton
- Camera: Jaina Kalifa
- Production Assistants: Bobbi-Lea Dionysius, Domini Forster, Aurora Darby, Adrian Nerra
- Producer of Distribution and Marketing: Bobbi-Lea Dionysius
- Intuition
- A poetic exploration about the importance of listening to your inner voice.
Production credits
- Nina Rath
- Marion
- On the night of her 35th birthday, a terminally-lonely webcam girl decides to go on a date with her teenaged neighbour.
Production credits
- Director/Writer: Daniel Flynn Anderson
- Producer: Rachel Liviero
- DOP: Ben Cotgrove
- Editor: Josef Switak
- Production Design: Zachary Golightly
- Sound Designer: Ben Stewart
- Music: Cedie Janson
- Poster Boy
- When the victim of a violent hate attack joins a gay gun club, he finds himself caught between two rival gay rights activists seeking to manipulate his story for their own agendas - one the club's charismatic leader, the other his domineering partner.
Production credits
- Director: Dean W Law
- Producer: Brenton Pinsent
- Writer: Dean W Law
- Cinematographer: Brian Loewe
- Production Design: Joshua Long
- Costumes: Katherine Chediak Putnam
- Editor: Matthew Sawyer
- VFX: Matthew Sawyer, Dan Warner, Jack Higgins, Mica Purnell
- Sound Design: David Butcherine
- Original Score: Matthew Prain
- Simon Says
- A visit to the world of artist Simon Mclean as he contemplates the meaning of art.
Production credits
- Trevor Hawkins
- Transmission
- Earth is dying, humanity is on the brink of extinction, and now mankind’s final hope has all but disappeared. In an effort to source a new life for planet earth, a research team ventured through the stars, only to go missing on an unknown planet. Desperate to find them, Commander Madison Sterling and her crew venture in pursuit. As her crew go missing one by one, the entire fate of humanity rests on her shoulders.
Production credits
- Director/Producer/Writer: Rebecca Gardiner
- Cinematographer: Tori Stevens
- Editor: Maxine Shewan
- Production Designer: Samantha Herriman
- Two Weeks
- Two Weeks, an LGBTQ drama web series set during a Brisbane summer, explores the struggles several 20-somethings face in the precarious turning points of their lives as they strive to define themselves. With nine episodes, this web series offers a snapshot into what it means to be young, to love, to want, and to be unsure.
Production credits
- Creator: Mary Duong
- Producer: Rhiannon Steffensen
- Co-Producer: Mary Duong
- Directors: Isabel Stanfield, Daniel Flynn Anderson, Rachel Anderson
- Writers: Mary Duong, Daniel Flynn Anderson, Ben Cotgrove
- Cinematographer: Ben Cotgrove
- Editors: Josef Switak, David Peterson, Antonin Duvivier
- Vulner-ability
- A pensive miniature about the biggest treasure of life: Vulner-ability.
Production credits
- Nina Rath