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Home > Professional page > Associate Professor Penny Bundy > Publications

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  • Associate Professor Penny Bundy
  • Curriculum vitae
  • Publications
  • Research

Publications

Book chapters

  • Bundy, P. (2009). The Performance of Trauma. (2009). In Preston, S. and Prentki, T. (Eds). The Applied Theatre Reader. pp 233-240. London and New York: Routledge.
  • Bundy, P. (2004). Creating opportunities for aesthetic engagement: reflections from a drama classroom. In English version pp 176-182. In Chinese translation in Chan, Yuk-lan Phoebe (Ed) pp 289-294. Building the Capacity of Drama/Theatre Education Hong Kong: Hong Kong Drama/Theatre and Education Forum.
  • Bundy, P. & Nicholson, H. (2003). New Images and Old lies: Gender and Drama Education. In Hannu Heikkinen (Ed) Special Interest Fields of Drama, Theatre and Education: The IDEA-dialogues, pp68-83. Finland: University of Jyvaskyla.
  • Bundy, P. (1998) Seeking "Truth". In C. Miller & J. Saxton, International Conversations. Canada: IDIERI Publications, pp 216-224.
  • Bundy, P. & O?Toole, J. (1993) ?Kites and Magpies: TIE in Australia?.In T. Jackson, (Ed) Learning Through Theatre: New Perspectives on Theatre in Education, pp 133-150, Routledge, London and New York.

Refereed journals

  • Bundy, P. (2006). Reflective Practice and the Playwright/Scholar Drama Australia Journal, (NJ) 30 (2), pp 51-60.
  • Bundy, P. (2006). Using drama in the counselling process: The Moving On Project. Research In Drama Education, 11 (1), pp. 7-18 England: Carfax Publishing.
  • Bundy, P. (2005). Experiencing Harry Potter: Accessing the children's experience of aesthetic engagement. Applied Theatre Researcher/IDEA Journal, (6), pp1-13.
  • Bundy, P. (2005). Moving On: The First Nine Months. NJ Drama Australia Journal, 29 (2), pp39-47.
  • Bundy, P. (2004). Dramatic Tension: Towards an understanding of intimacy. Youth Theatre Journal, (18), pp17-29.
  • Bundy, P. (2003). Aesthetic engagement in the drama process. Research in Drama Education 8 (2) pp171-181. England: Carfax Publishing.
  • Bundy, P. (2003). Creating opportunities for aesthetic engagement: reflections from a drama classroom. Applied Theatre Researcher/IDEA Journal, (4) pp 1-10.
  • Bundy, P. & Comans, C. (2001). Voices of Australian women working in drama, theatre and education. Drama Australia Journal (NJ), 25 (1),  pp7-19.
  • Bundy, P. (2000). Extending the possibilities: the use of drama in addressing problems of aggression. Research In Drama Education 5 (2), pp263-266. England: Carfax publishing.
  • Bundy, P. (1999). Pushing the boundaries: reflections on a playbuilding project. Nadie Journal NJ 23 (1), pp61-70. National Association for Drama in Education.

Refereed conference papers

  • Bundy, P. (2005). Drama as social intervention: the Moving on Project Researching Drama and Theatre in Education, International Conference, University of Exeter, April 12th-16th.
  • Bundy, P. (2004). Moving On: The first nine months. IDEA 2004 Congress: The Universal Mosaic of Drama, Ottawa, Canada, July.
  • Bundy, P. (2004). The drama educator as learner. Panel presentation in McCammon, L. (Chair) From Parts to Whole: The Role of Teacher Education in Promoting Innovation, Creative Expression, and Empowerment. IDEA 2004 Congress: The Universal Mosaic of Drama, Ottawa, Canada, July 2004. (International Panel members included: Penny Bundy (Australia), Lorenzo Garcia (USA), Laura McCammon (USA), Debra McLauchlan (Canada), Shifra Schoman (Israel), Chris Warner (USA).
  • Bundy, P. (2003). Knowing aesthetic engagement: the quest for a useful research approach. Drama Australia Conference (1-3 October, 2003). Published in Conference papers, Drama Queensland Says: Sharing the Journey Home (26:2) pp7-12.
  • Bundy, P. (2003) Experiencing Harry Potter: Accessing the children's experience of aesthetic engagement. (presented to IDIERI 14th-19th July, Northampton, UK.
  • Bundy, P. (2002). Aesthetic engagement in the drama process. Paper presented to International Researching Drama and Theatre in Education Conference, School of Education, Exeter, UK, 9th -13th April, 2002. Subsequently invited presentation to Theatre in School Conference, Hong Kong Arts Centre 16th-20th July.

International keynote addresses

  • Invited keynote (October 2007). International Symposium on Applied Theatre: Engagement and Transformation, Sydney, Australia.
  • Invited plenary keynote (2006). Keeping Kids Safer Everyday: An Australasian Colloquium on Innovative and Effective School Based Strategies for Preventing Child Abuse and Family Violence. (funded by the New Zealand Police and NZ Department of Child Youth and Family).
  • Plenary Keynote (2005). Researching drama and theatre in education, International conference, University of Exeter, April 12th-16th, 2005. Editorship.

International/national refereed conference papers

  • Bundy, P. (2005). Drama as social intervention: the moving on project, Researching drama and theatre in education, International conference, University of Exeter april 12th-16th.
  • Bundy, P. (2004). Moving On: The First Nine Months. IDEA 2004 Congress: The Universal Mosaic of Drama, Ottawa, Canada, July.
  • Bundy, P. (2004) The drama educator as learner. Panel presentation in McCammon, L. (chair) From Parts to Whole: The Role of Teacher Education in Promoting Innovation, Creative Expression, and Empowerment. IDEA 2004 Congress: The Universal Mosaic of Drama, Ottawa, Canada, July 2004. (International Panel members included: Penny Bundy (Australia), Lorenzo Garcia (USA), Laura McCammon (USA), Debra McLauchlan (Canada), Shifra Schoman (Israel), Chris Warner (USA).
  • Bundy, P. (2003). Experiencing Harry Potter: Accessing the children's experience of aesthetic engagement, (presented to IDIERI 14th-19th July, 2003, Northampton, UK.
  • Bundy, P. (2003). Knowing aesthetic engagement: the quest for a useful research approach. Paper presented to Drama Australia Conference 1-3 October.
  • Bundy, P. (2002). Aesthetic engagement in the drama process. Paper presented to International Researching Drama and Theatre in Education Conference, School of Education, Exeter, UK, 9th -13th April, 2002. Subsequently invited presentation to Theatre in School Conference, Hong Kong Arts Centre 16th-20th July.
  • Bundy, P. (2001). From pretext to playbuilding. Qadie State Conference, 29th April.
  • Bundy, P. (1999) Reporting Oral History: Documentary Drama as Research Report. Researching Drama and Theatre in Education International Conference, April 13th  -17th. School of Education, Exeter University.
  • Bundy, P. (1999). Strangers in a Strange Land: A Practical Approach to Playbuilding. Nadie Conference - "Take the Journey: Tell the Story", July 12th -16th.
  • Bundy, P. (1998). Pushing the Boundaries: An approach to playbuilding with young adults which moves beyond affirmation. International Drama and Theatre Education Congress, Kisumu, Kenya 9th-19th July.
  • Bundy, P. (1997). Seeking Truth. International Drama and Theatre Education Institute, University of Victoria, Canada, 3rd - 9th July.
  • Bundy, P. (1997). Pretexts and Possibilities. (Co-writer and presenter Julie Dunn), Qadie State Conference.
  • Bundy, P. & Dunn, J. (1997). The Provocation of More. Nadie Conference- Dramaxis: Positioing Drama, 30th September - 3rd October. Sydney, Australia.
  • Bundy, P. (1995). The State of TIE/Young People?s Theatre in Queensland. Invited keynote, Australian Writer's Guild Conference. Sydney, Australia.
  • Bundy, P. (1994). ?The Playwright as Artist/Scholar?. In Taylor, P. 1994 Australian Drama Research: Towards a National Agenda? pp 1-7, Nadie Journal.

Editorship

  • (2006-2009) Co-editor, The Applied Theatre Researcher/IDEA Journal.
  • (2001) Guest editor, Drama Australia Journal (NJ), 25:1.

Membership of editorial boards

  • (2008-2009) New Zealand Journal of Research in Performing Arts and Education, University of Canterbury and Drama New Zealand.
  • (2005-2009) Research in Drama Education (RIDE), Carfax Press, UK.
  • (2004-2006) Youth Theatre Journal (The Scholarly Journal of the American Alliance for Theatre and Education), USA.
  • (2004-2005) Drama Australia Journal NJ (The Scholarly Journal of Drama Australia).

National and international radio broadcast

  • Bates, M., & Bundy, P. (May 2007). ABC Radio National Perspective: Moving On. http://www.abc.net.au/rn/perspective/stories/2007/1919314.htm

Reviews

  • Bundy, P. (2004). Conference Review. The American Alliance for Theatre and Education (AATE) and The Association for Theatre in Higher Education (ATHE) national conference (New York, 31 July-3 August, 2003), pp113-115 in Research in Drama Education, 9 (1), March 2004.
  • Bundy, P. (2004). Book Review. Gallagher, K. & Booth, D. (Eds.) (2003). How Theatre Educates: Convergences and Counterpoints with Artists, Scholars and Advocates. Toronto, Buffalo, London: University of Toronto Press. In NJ, 28 (1), 2004, pp132-134.

Playwrighting

  • (2000). The Global Challenge Nature Hour - commissioned by Blue Care Australia and performed at the 10th National Congress Community Care, Carlton Crest Hotel, Brisbane.
  • (1999). Views from Above commissioned by the Queensland Dept of Families and performed at The National Association for Gambling Studies Conference, Jupiters Casino, Gold Coast.
  • (1993). Hide and Seek completed as the Findings chapter of Master of Arts Research Project. Reviewed by the Australian National Playwright's Centre.
  • (1992). Trashed commissioned by The Queensland Performing Arts Trust. Performed by Rock'n Roll Circus at the 1992, Out of The Box Festival.
  • (1992). Good Mother/ Bad Mother written and performed in partial fulfillment of  Master of Arts, QUT.
  • (1989). Treehouse first performed at La Boite Theatre in 1991. Performed by Griffith TIE and touring with the Queensland Arts Council, 1993-1995. Invited Australian performance at the 2nd International Drama and Theatre Education Congress.
  • (1988). Stradbroke Dreaming Waterhole, The Hare and the Tortoise, The Dragon's Sword 3 plays commissioned and performed by the Queensland Marionette Theatre.
  • (1986). A Mugwump of My Own, performed by KITE, 1986 and successive years.
  • (1983). The 100th Monkey performed by La Boite Youth Theatre (1985).
  • Josie and NE1 (co-writers Helen Strube & Michael Forde) first performed by KITE and later produced for children's television, Channel 9, Brisbane.

Writer/director

  • Umbilical Cords and Metronomes, (Griffith University) (1998).
  • Open Eyes, Closed Minds (Griffith University) (1995).
  • Mother (Griffith University) (1994).
  • Treehouse for Griffith TIE/Queensland Arts Council tour (1993).
  • Grandpa Won't Budge (performed at La Boite Theatre in 1989) (1988).
  • Vicki's Story (Griffith University) (1988).
  • Who Cares (La Boite Theatre & the Queensland Youth Theatre Festival) (1988).
  • Rain Rain Come Again! (La Boite Theatre) (1987).

Writing for television

  • Development of twenty-six part children's television series (drama) Grandpa Side-Car. The option to produce the series was sold to Film Headquarters, Australia ((1997-2003).

Theatre direction

  • Matilda Women (written by Sue Rider) (Griffith University) (1991).
  • Medea (co-director with Artistic Director, Jim Vile, La Boite Theatre.) (1988).
  • The 100th Monkey (La Boite Youth Theatre) (1985).

Artist-in-residence    

  • Algester State School/ Department of Families, Qld Government (1999).
  • St Peter's Lutheran College (1989).
  • Queensland Marionette Theatre Hands on Project - a one term project working with urban Vietnamese, Greek and Aboriginal children to devise and script three plays suitable for performance by the Queensland Marionette Theatre (1988).
  • Springwood State High School (1987).

Script consultant

  • Tokyo Rose (Barry Lowe), La Boite Theatre (1989).

Professional stage performance

  • (The Machine) Sounds Good, KITE tour of various Queensland venues (1985).
  • (Various roles) Solomon and the Big Cat, joint KITE, Queensland Performing Arts Trust Project performed in the Cremorne Theatre (1985).
  • (Cassie) Caretaker Rock, KITE tour of Queensland Preschools (1985).
  • (Various roles) Lopburi, KITE tour of Brisbane venues (1983).
  • (Josie) Josie and NE1, KITE Queensland tour (1983).
  • (Various roles) I Can, KITE production, Metro Arts (1983).
  • (Various roles) The Good Person of Setzuan, La Boite Theatre (1979).
  • (Polya) Occupations, La Boite Theatre (1978).
  • (Various Roles) Happy Birthday East Timor, La Boite Theatre (1978).

First peoples.

Aboriginal and Torres Strait Islander

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