Griffith University

GCert Higher Education, Doctor Education

Associate Director, Queensland Conservatorium Research Centre
Professor In Music Technology

Contact details for Professor Paul Draper

Professional page for Professor Paul Draper
Proximity Effect: Paul Draper's weblog about music, technology and convergence. http://www.pauldraper.org

Research expertise

• Arts-based e-research methodologies
• Film sound design and production
• Information technology and multimedia
• Internet-based media production
• Music recording and production
• Music education and curriculum design
• Practice-based research
• Technology-based learning environments
• Web 2.0 and music 2.0

Publications (selected)

Journal articles

• Draper, P. and Harrison, S. (2010, forthcoming). Through the eye of a needle: The emergence of practice-led doctorates in music.
• Draper, P. (2009). How online social networks are redefining knowledge, power, 21st century music-making and higher education. Journal of Music Research Online, 1. Music Council of Australia.
• Draper, P. (2009). Music, technology and classroom 2.0. Invited article, in Education Technology Solutions, 28, Feb?Mar, pp. 30?32.
• Draper, P. (2008). Dreaming, doing, knowing. In Cat Hope (Ed.), invited article, in New Sounds, Defying Definitions, Resonate, 3. Australian Music Centre.
• Draper, P. (2008). Music two-point-zero: music, technology and digital independence. Journal of Music, Technology and Education 1(2), 137?152.
• Draper, P. and Hitchcock, M. (2006). Work-integrated learning in music technology: Lessons learned in the creative industries. Asia-Pacific Journal of Cooperative Education, 7(2), 33?45.

Conference papers

• Draper, P. & Harrison, S. (2010, in press). Reflecting on reflection-in-action: Supervising practice-based doctorates in music. The 29th International Society for Music Education (ISME) World Conference 1-6 August 2010, Beijing, China.
• Draper, P. (2009). Authority 3.0: Toward an open digital press for university-based musicians, and its role in validating ERA outputs. In proceedings of CreateWorld 2009, 30 Nov.? 2 Dec. 2009, Brisbane.
• Draper, P. (2009). Foreign objects and the art of Interpretation. In proceedings of the Second International Conference on Music Communication Science, 3-4 December  2009, Sydney.
• Draper, P. (2009). On disintermediated culture, education, and craft. In proceedings of The Fourth Annual Art of Record Production Conference, 14-16 November 2008, UMass. Lowell, USA.
• Draper, P. and Emmerson, S. (2009). Music, recording and the art of interpretation. In proceedings of CreateWorld 2008, 9?12 December 2008.
• Draper, P. (2008). Who's really doing the stealing? How the music industry's pathological pursuit of profit and power robs us of innovation. In proceedings of Creating Value Between Commerce and Commons, the International Conference of the ARC Centre for Excellence for Creative Industries & Innovation, 25?27 June 2008, Brisbane, Australia.
• Draper, P. and Hitchcock, M. (2008). The hidden music curriculum: Utilising blended learning to enable a participatory culture. In proceedings of The 28th International Society for Music Education (ISME) World Conference, 20?25 July, Bologna, Italy.
• Draper, P. (2007). Contribute, communicate, collaborate: The Internet as workplace in the digital arts. In Contribute, Communicate, Collaborate, proceedings of the AUC National Conference, Gold Coast, Queensland 23-26 September, 2007.
• Draper, P., Hall, M. and Wilson, J. (2006). Universities, creativity and the real world? In proceedings of The Speculation and Innovation Conference, 30 March - 1 April 2005. Brisbane: Queensland University of Technology.
  
• Draper, P. (2005). Encounters: Subdisciplinary dynamics in Australian music-making and recording. Paper presented at The 2005 Art of Record Production Conference, 17-18 September. London: Royal Holloway University of London. 
  

Creative works

• Draper, P. and Emmerson, S. (2010, forthcoming). (Produced by Paul Draper). Interpreting a century later: Ground-breaking piano music of 1908-1909. Music by Berg, Schoenberg and Bartok. (Performed by Stephen Emmerson). Double CD. Sydney: Move Records.
• Draper, P. (2009). (Sound producer). Foreign Objects. Clocked Out Duo (Vanessa Tomlinson and Erik Griswald). Music CD. Brisbane: QCRC.
• Draper, P. (2008). Mithas. Performed by Huib Schippers, Dheeraj Shrestha,Jioa Yen Bell, Rebecca Karlen, Sarah Muirhead. Music CD. Brisbane: QCRC.
• Draper, P. (2007). 5.1 sound production. iOrpheus - The Movie (directed by Paul Davidson). In collaboration with the Australian-American Fullbright Commission, South Bank Corporation, Queensland Conservatorium Research Centre. 12 min. Film and vodcast.
  
• Draper, P. (2006). Producer and sound engineer. In Depth. Collusion. Sydney: Move Records MD3310. Music CD.
  
• Draper P., Nisbet, A. and Roennfeldt, P. (2005). Music Queensland project - production, recording and development of an on-line repository of historical musical compositions. In collaboration with the State Library of Queensland and the National Library of Australia. Brisbane: State Library of Queensland.
  
• Draper, P. (2003). Producer and sound engineer. Clean Start. Louise Denson Group. QRA Sunnie Award for Best Jazz Album of 2003. Melbourne: Newmarket Records NEW3098.2. Music CD. 
  

Keynote podcasts

• Draper, P. (2007, November). Music 2.0: A framework to examine next-generation digital arts environments. Invited keynote address at the AUC CreateWorld 2007 National Conference in the Digital Arts, Brisbane 25-28 November 2007. Wollongong: Apple University Consortium. 33min. Film, vodcast and transcription. 
• Draper, P. (2007, October). Music two-point-zero: How participatory culture is reclaiming knowledge, power and value systems from the inside out. Queensland Conservatorium Research Centre, Twilight Series public lecture. 53min. film, vodcast and transcription.